Concert & Live Audio Production Sound System Rental
Rider-compliant line array systems with in-house FOH and monitor engineers. L-Acoustics, d&b audiotechnik, and JBL arrays. Avid, DiGiCo, and Yamaha digital consoles. Shure Axient wireless and full RF coordination — from theater tours to 50,000+ capacity outdoor festival sound.
Your Artist's Rider. Our Standard.
Production managers send riders because they've been burned by rental companies who show up with the wrong console, miscounted amplifiers, or day-hire engineers who've never mixed the genre. We read the rider, confirm every line, model the PA to your venue, and show up with the crew who's been running these systems on national tours.
Our advance process starts weeks before load-in. We model coverage in ArrayCalc, coordinate RF frequencies for your venue's wireless environment, and build show files on the actual console your FOH engineer will use. Soundcheck starts on time because the system was designed, tested, and confirmed before the truck doors open.
PA Modeled to Your Venue
Every deployment modeled in ArrayCalc and aligned with SMAART. Coverage patterns designed for your specific room geometry and audience layout — not generic presets from the last gig.
Engineers Who've Mixed the Tours
Full-time FOH and monitor engineers with national touring credits. They know the consoles, they know the workflows, and they deliver artist-approved mixes from soundcheck to encore.
Redundancy on Every Show
Backup consoles, redundant Dante networks, and failover amplification. Your concert audio will not drop mid-performance — that is engineered into every signal chain we deploy.
Complete Concert Sound Systems
Touring-grade live sound production — load-in to encore
Line Array Systems
dB Technologies VIO Series flagship line arrays and DAS Event Series systems — engineered for precise venue coverage with exceptional throw, clarity, and SPL. Scalable from club stages to full festival mains.
Monitor & IEM Systems
dB Technologies VIO stage monitors paired with Sennheiser G4 IEM systems. Personal mixes built for artist confidence — zero compromise on stage clarity from soundcheck to encore.
Digital Consoles
Allen & Heath Avantis, SQ5, Midas M32, and Waves LV1 — a full console lineup covering everything from club shows to festival productions. Show file support, full redundancy, and operator-matched deployment on every advance.
RF & Wireless
Shure ULXD and QLXD wireless mic packages with full-spectrum frequency coordination. Reliable RF performance across complex multi-transmitter environments — zero dropouts guaranteed.
Brands We Carry
Our Work Speaks for Itself
Festival main stages. Touring concert builds. National headliners. Delivered turnkey by our in-house audio crew.
Rick Ross Car & Bike Show
Staging • LED Video • Audio
Célébrez en Rose Festival
Full Production • Multi-Stage
NOLA Fried Chicken Fest
Mobile Stage • Audio • Lighting
Entergy Stage Headliner
APEX Stage • Video • Audio
Blues & Jazz Festival
SL320 Stage • LED • grandMA3
Rick Ross Car & Bike Show
Staging • LED Video • Audio
Célébrez en Rose Festival
Full Production • Multi-Stage
NOLA Fried Chicken Fest
Mobile Stage • Audio • Lighting
Entergy Stage Headliner
APEX Stage • Video • Audio
Blues & Jazz Festival
SL320 Stage • LED • grandMA3
Why Rocket for Concert Audio
Touring-Grade Systems. In-House Engineers. Zero Gaps.
No subcontracted labor. Redundancy-first deployment. Rider-compliant systems. Integrated lighting, LED, and staging coordination.
In-House Engineers Only
The Crew Behind the Console
No subcontractors. No day-hires. Every position staffed by our touring-experienced audio team — from advance and rider review through show execution and strike.
FOH Engineer
Delivers artist-approved mixes on rider-specified consoles. Manages show files and coordinates directly with artist production managers.
Monitor Engineer
Builds IEM and wedge mixes that performers trust show after show. Zero compromises from soundcheck to encore.
System Technician
Models coverage in ArrayCalc. Rigs arrays, configures amplifiers, and aligns with SMAART for consistent venue-wide coverage.
RF Coordinator
Full-spectrum frequency coordination and interference mapping. Redundant signal paths across console, network, and amplification.
“Every concert we staff is mixed, tuned, and optimized by our own engineers.”
Full-Service Concert Production
More Concert Production
Every discipline — staging, audio, lighting, video, and rigging — delivered by one in-house team.
Concert Audio Production in Atlanta & the Southeast
Rider-compliant line arrays, digital consoles, and full RF coordination — deployed by our touring FOH and monitor engineers at arenas, amphitheaters, and festival grounds across the Southeast.
